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Electric Party Songs by The Open Program of the Workcenter of Jerzy Grotowski and Thomas Richards
Oct 24, 2015 @ 8:30 pm - 10:00 pm
Electric Party Songs is a dynamic flow of original songs and actions based on the poetry of Allen Ginsberg, drawing inspiration from blues, rock, pop, opera, punk, and traditional sources, and exploring the ways these songs can trigger performative processes and catalyze contacts and interactions. Open Program’s songs and actions are drawn from a deep well of materials created by its members. Each time Electric Party Songs is performed it contains a different selection and succession of artistic materials, creating a unique event of embodied poetry and song.
*For the Allen Ginsberg texts, Copyright © by the Allen Ginsberg Trust, used with permission of The Wylie Agency, LLC.
ABOUT JERZY GROTOWSKI
Considered one of the most important and influential theatre practitioners of the 20th century, Jerzy Grotowski revolutionized contemporary theatre in multiple ways. Grotowski changed the way Western theatre practitioners and performance theorists conceive of the audience-actor relationship, theatre staging and the craft of acting. Perhaps best known for his notion of ‘poor theatre,’ Grotowski’s practice extends beyond the confines of conventional theatre assuming a long-term and systematic exploration of the possibilities of the human being in action.
ABOUT THE WORKCENTER
The Workcenter of Jerzy Grotowski was founded in 1986 at the invitation of the Centro per la Sperimentazione e la Ricerca Teatrale of Pontedera, Italy (now: Fondazione Pontedera Teatro), and its directors Roberto Bacci and Carla Pollastrelli. At the Workcenter, Grotowski developed a line of “performance research” known as Art as vehicle for 13 years until his death in 1999. Within this creative investigation, he worked very closely with Thomas Richards whom he called his “essential collaborator,” eventually changing the name of the Workcenter of Jerzy Grotowski to include that of Richards. During those years of intense practical work, Grotowski transmitted to Richards the fruit of his lifetime research, what he called “the inner aspect of the work.” Grotowski entrusted Richards and Mario Biagini, a key member of the Workcenter team since its beginnings and presently its Associate Director, as the sole legatees of his Estate, including his entire body of written work, specifying this designation as a confirmation of his “family of work.” Since Grotowski’s passing in 1999, Richards and Biagini have been continuing to develop the Workcenter’s performing arts research in new directions.